The image size is 10.4 x 9.5 cm. Media: oil, board. Object of the week #47 | Rembrandt, Five studies of the head of Saskia, and one of an older woman, 1636. After his death in 1624 his young daughter Saskia followed her sister Hizkia and her husband Gerrit van Loo, who became her guardian, when they settled in the northern town of Sint Annaparochie in 1627. In his 1636 etching, Self-Portrait with Saskia, both he and his wife are shown wearing historical clothing. Order Oil Painting. Titus, het jongste kind, bleef het langst in leven.Rembrandt trouwde nooit opnieuw. There are no first-hand accounts of Rembrandt's relationship with Saskia, but you can tell from the sensitivity of her portraits that he adored her. In this double portrait Rembrandt has depicted himself drawing, or possibly in the process of making an etching. The dozens of self-portraits by Rembrandt were an important part of his oeuvre. The following is a list of etchings by the Dutch painter and etcher Rembrandt, with the catalogue numbers of Adam Bartsch.Each change or addition to the plate that can be seen in … The work plays upon themes relating to love and marriage, although it seems also to allude to the transience of life. Although she represents a conventional Roman deity, she does not conform to the typical depictions of 'Flora' in art, as personified by Botticelli's graceful images of Simonetta Vespucci , the Renaissance equivalent of a super model. Rembrandt’s young wife Saskia van Uylenburgh appears as a frequent subject in the artist’s works. She is dressed as Flora, the Roman goddess of spring and fertility. She bore him four children, of whom only the last one, Titus, survived infancy. Rembrandt’s Self-Portrait with Saskia (c.1635) This painting of Rembrandt with his wife Saskia was long understood as an image of the two Rembrandts, he then wealthy and successful, "living it up". Rembrandt. Rembrandt studio (possibly Abraham van Dijck) Portrait of Saskia Uylenburgh, c. 1652 Oil on canvas, 112 x 89 cm Antwerp, Koninklijk Museum voor Schone Kunsten{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","name":"Seeing double: Rembrandt\u2019s portrait of his wife Saskia","image":{"@context":"http:\/\/schema.org\/","@type":"ImageObject","url":"https:\/\/www.rembrandthuis.nl\/wp-content\/uploads\/2019\/02\/rembrandt-atelier-mogelijk-abraham-van-dijck-portret-van-saskia-ca.-1652.-112x89-koninklijk-museum-voor-schone-kunsten-antwerpen-jpeg-2.jpg","width":908,"height":523},"headline":"Seeing double: Rembrandt\u2019s portrait of his wife Saskia","datePublished":"2019-02-21T14:54:37+00:00","dateModified":"2019-02-21T14:54:37+00:00","mainEntityOfPage":"https:\/\/www.rembrandthuis.nl\/seeing-double-rembrandts-portrait-of-his-wife-saskia\/?lang=en","author":{"@context":"http:\/\/schema.org\/","@type":"Person","name":"Nathalie Maciesza","givenName":"Nathalie","familyName":"Maciesza","email":"n.maciesza@rembrandthuis.nl"},"publisher":{"@context":"http:\/\/schema.org\/","@type":"Person","name":"Nathalie Maciesza","givenName":"Nathalie","familyName":"Maciesza","email":"n.maciesza@rembrandthuis.nl"}}, Jodenbreestraat 4 Although … Kwaliteit: Non-woven vliesbehang 150 … As far as Rembrandt was concerned, this painting must have been an important personal project. It is by no means always easy to recognize members of Rembrandt’s family and his friends in his paintings. Open: Tuesday – Sunday  10:00 – 18:00 It was doubtless Hendrick who introduced Rembrandt to Saskia. Genre: portrait. An added complication is that Saskia’s face was the inspiration for a facial type that Rembrandt often used. form: Rembrandt used a copper plate, eroded by acid, to create this work; The Etching plate is deeper for Rembrandt than Saskia; She bore him four children, of whom only the last one, Titus, survived infancy. Saskia was daughter of the prominent lawyer Rombertus Uylenburgh, who rose to the highest positions in Friesland: pensionary and High Court jurist, and burgomaster of Leeuwarden. Dimensions: 78.8 x 99.5 cm. Two years later he made this sheet of studies. Rembrandt, Saskia With a Flower is also known as Saskia van Uylenburgh As Flora Medium: Oil Support: Oak panel Size: 97.7 x 82.2 cm Art period: Baroque. Friends of the Museum: free The mount is cream coloured, 30 x 40 cm. This painting is now on view in our exhibition Rembrandt’s Social Network. In this work he combined elements of pastoral and historical portraits. Rembrandt’s hand holding a port-crayon (detail), Rembrandt van Rijn, Self-Portrait with Saskia, 1636, etching, 10.4 x 9.5 cm (Fitzwilliam Museum) Rembrandt, however, has transformed the traditional marriage portrait into something more inventive. Each card is 10.5 x 15 cm, colour is made of 280 grams paper, black and white is made of 400 grams paper. He was notably the last visitor of William of Orange just before his assassination. 1633' Datum: 8 juni 1633: Bron: Broos, Ben (2012) Saskia, de vrouw van Rembrandt, p. 33: Auteur: Rembrandt van Rijn: In 1633, she visited her cousin Aeltje Uylenburgh in Amsterdam. Wearing a wide-brimmed hat, Saskia supports her head on her left arm, while in her right hand she holds a flower, possibly a rose. Vliesbehang is afwasbaar met een zachte vochtige doek. ‘Portrait of the Young Saskia’ was created in 1633 by Rembrandt in Baroque style. Rembrandt painted many portraits of Saskia and incorporated her likeness in various history and genre scenes, attesting to an affectionate and respectful relationship. Kunstenaar: Rembrandt ( Rembrandt van Rijn ) TITEL: Portrait of Saskia ACTIE: Nu 10 % Korting op dit Behang. He seems to have made some of them as a tribute to his wife; one such is the portrait now in Kassel. Then in the 1960's historians introduced the idea that Rembrandt was acting out the story of the Prodigal Son, a belief accepted and expanded on by many scholars since. Etching, only state. This may have been the occasion for her to meet the successful young artist. Materiaal: Hoogwaardig Vliesbehang (dus veel beter dan papierbehang). Bestand:Rembrandt, Portrait of Saskia van Uylenburgh, 1633, Rijksmuseum Amsterdam.jpg Uit Wikipedia, de vrije encyclopedie Naar navigatie springen Naar zoeken springen Although we have a reasonably good idea of what Saskia looked like, for example, there are still arguments about whether she is or is not pictured in a particular work. In 1631, Rembrandt moved to Amsterdam, which at the time was rapidly expanding, and had great success painting personal portraits. ‘Self-Portrait with Saskia in the Parable of the Prodigal Son’ was created in c.1635 by Rembrandt in Baroque style. The lines of writing form an integral part of the composition, Rembrandt having set aside space for the text when he started working on the drawing. Self-Portrait with Saskia, Rembrandt van Rijn Self-Portrait with Saskia, Rembrandt van Rijn c. 1636 C.E. Portrait of Saskia van Uylenburgh. In 1634 he married his wife, Saskia van Uylenberg, and in the same year began taking art students in Amsterdam. Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r ɑː n t /, also /-b r æ n t /, Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)soːn vɑn ˈrɛin] (); 15 July 1606 – 4 October 1669) was a Dutch draughtsman, painter, and printmaker.An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Museumcard: free Probably the beginning of their acquaintance was through Rembrandt's painting Saskia's portrait in 1632. Etching, only state, The Rembrandt House Museum, Amsterdam. Wearing a wide-brimmed hat, Saskia supports her head on her left arm, while in her right hand she holds a flower, possibly a rose. Berlin boasts a silverpoint drawing, originally intended as an engagement memento, which numbers among the most personal works created in Rembrandt’s hand. Style: Baroque. Nevertheless, there are five paintings that everyone agrees are of Saskia. | Rembrandt married Saskia Uylenburgh in 1634. Saskia van Uylenburgh, the daughter of a burgomaster of Leeuwarden in Friesland, was Rembrandt’s first wife. It contains five studies of Saskia and top left, a portrait of another, older woman. It is possible that Rembrandt presented his fiancée with the (presumably framed) drawing as a form of assurance of his promise of marriage. There he wrote: ‘This is a likeness of my wife, drawn when she was 21 years old, on the third day of our betrothal. Created in the year of their marriage, this painting shows the love and admiration the artist felt for the young woman. Rembrandt painted many portraits of Saskia and incorporated her likeness in various history and genre scenes, attesting to an affectionate and respectful relationship. Her gorgeous gown is a … Rembrandt’s very first drawing of Saskia was a keepsake of the day of their betrothal, most likely for himself, as demonstrated by his own text underneath her portrait. 8 January 1634.’ The word ‘betrothal’ refers to the promise of marriage; the wedding eventually took place on 22 June 1634. He was an old friend of Rembrandt; and when the young painter came to seek his fortune in the great city in 1631, he had made his home for a while with the art dealer. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the definition of a portrait. 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