By visiting our website or transacting with us, you agree to this. It seems very prescient in certain ways. She was the strong woman who lived life on her own terms and conditions. Abaporu • 1928. If you have additional information or spotted an error, please send feedback to [email protected]. With this acquisition, the Museum welcomes into the collection its first painting by Brazil’s most important early modernist. See more ideas about Latin american art, Naive art, American art. Last spring, our #TarsilaMoMA exhibition explored the work of Tarsila do Amaral, a beloved trailblazer at the heart of the invention of modern art in Brazil. A painting by Brazilian modernist Tarsila do Amaral sold for a record-setting 57.5 million reais ($11.2 million) at a São Paulo auction last week, making it the most expensive work by the artist ever sold at auction and one of the most expensive works by a Latin American artist ever to sell on the block. That’s the sole presence, but one feels it almost as a stand-in for the artist looking out and up either at the sky or at us even. The Egg • 1928. Tarsila do Amaral's The Moon (A Lua) (1928) is one recent acquisition at the museum. When you’re thinking about this work in relationship to the full body of work she made across her career, how does it fit in? Tarsila do Amaral We use our own and third-party cookies to personalize your experience and the promotions you see. She was a farmer’s daughter, who spent most of her life on the farm. Beginning in 1920, she had traveled frequently between the French capitol and her native Brazil, working in both places. For me, there’s something so important about what she leaves to the imagination and the places that the forms she paints allow your mind to wander. Elle est née en 1886 dans une famille aisée de la région de São Paulo – son père était un riche planteur de café – et suit l'enseignement de Pedro Alexandrino Borges (pt), avant de partir en 1920 à Paris pour y approfondir sa formation. 28/mai/2013 - Tarsila do Amaral, Artista, Pintora, Vida, Brasileira, Pintura, Movimento, Modernismo, Obra, Nascimento, Morte, Biografia, Tarsila do Amaral Apr 18, 2020 - A conversation about do Amaral’s landmark work, newly added to the Museum’s collection. She was born in an affluent family of coffee growers and landowners. Pinacoteca do Estado de São Paulo . It’s about devouring influence from outside and making them part of yourself, rather than just becoming a derivative or influenced kind of artistic being. Photo courtesy Timothy A. Clary/AFP/Getty Images. We’re not reinventing history; we’re recovering a history that had been suppressed. handcrafted to perfection . Tarsila do Amaral was born on September 1st, 1886, in the town of Capivari, in the interior of the state of São Paulo, Brazil. Anthropophagy • 1929. Cielo, 1919. I like Tarsila do Amaral´s paintings very much. The Museum of Modern Art (MoMA) Collection The Museum of Modern Art (MoMA) Collection Now let us move on to “A Lua” (The Moon, 1928), which was sold to the MoMA weeks before the opening of the current MASP retrospective, and could not make it for the show. Lasar Segall. The wavy curves of a rippling stream, a quarter moon, and an undulating horizon resonate, infusing Amaral’s world with dreamlike qualities. In São Paulo we have "few green", just in parks and some neighbourhoods. Although Tarsila was not directly involved, Surrealism was also going on in Paris at the time she was there. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. 29 mars 2020 - Explorez le tableau « Do Tarsila amaral » de Floflo, auquel 104 utilisateurs de Pinterest sont abonnés. We like the idea of opening up the narrow histories we’ve all learned, about what happened in Paris in the 1920s. For licensing motion picture film footage it is advised to apply directly to the copyright holders. Please, A conversation about do Amaral’s landmark work, newly added to the Museum’s collection, Director of Editorial and Content Strategy, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture. 1928. Tarsila’s father was a wealthy landowner, and she spent her childhood on her father’s farms. Add to cart. Elle réalise des toiles colorées porposant une vision personnolle de sa ville, São Paulo, ainsi que de l'héritage culturel de son pays. This is almost a sign for us of how incomplete what we learned was, because this is something that’s actually historical fact. The painting marks the beginning of her synthesis of avant-garde aesthetics and Brazilian subject matter. A Lua (1928), an exponent of the anthropophagic painting of the Brazilian Tarsila do Amaral (1886-1973), is the new acquisition of MoMA from New York. A Lua (The Moon). This was the first retrospective of Tarsila’s work in the United States, even though, in Brazil, she is a renowned and much beloved figure—well-known there simply as “Tarsila.”. Tarsila do Amaral, (born Sept. 1, 1886, Capivari, Braz.—died Jan. 17, 1973, São Paulo), Brazilian painter who blended local Brazilian content with international avant-garde aesthetics. The moon by Tarsila do Amaral (1928) quantity. Like many of Tarsila’s paintings, A Lua is a landscape that is very abstract in nature. 1-{{getCurrentCount()}} out of {{getTotalCount()}} LOAD MORE. In this month’s New to MoMA, in which we explore a recent addition to the Museum’s collection, Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, and Leah Dickerman, Director of Editorial and Content Strategy, discuss this landmark work, its journey to MoMA, and how it expands our understanding of history and its making. Yes, it is. If you notice an error, please contact us at [email protected]. I think the mood of artists like Salvador Dalí, Magritte, or Miró and the dreamscapes that they wanted in their paintings, comes through here. Her work of the next decades is very interesting, but it’s not what speaks to the invention of modernism. Paisagem, 1948. [2] Cândido Portinari. MoMA, Floor 5, 514 The David Geffen Wing. As we’re talking about, for example, centers versus margins, the idea of a Parisian-Brazilian dialogue very much concentrated in the paintings of one woman resonates in a way that it wouldn’t even have resonated 20 years ago. 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